An Artistic Response

Last night I had the pleasure of seeing Nils Frahm play at the opera house. He is an incredible musician with a seemingly well-rounded personality. The show was something to behold, however, before a single note was played, Frahm explained that it was an honour to be playing his music in “Australia’s biggest billboard”. The crowd roared with laughter and applause, showing their appreciation for the joke that is the shambolic Australian parliament (and its parliamentarians).

Frahm later went on to make a greater point when he said that politicians and the business community often try and hijack the arts for the purposes of financial capital – thus implicitly stating that culture is only ‘a good’ if it is financially tangible. I tend to agree with this assessment of the arts under capitalism and indeed Frahm’s assessment.

There have been calls this past week to allow for human rights groups and NGO’s to advertise on the Opera House to determine whether there is some degree of favouritism for Alan Jones and his lackeys from the Liberal Party of Australia. There most certainly is, we should accept that. However, we should not accept that two wrongs make a right. We ought not to advertise anything other than arts and the celebration of Australian culture on the sails of Australia’s most recognisable building.

The Sydney Opera House is not a billboard, it is a national icon that represents Sydney’s growing culture. If we treat our most well-known building as a political or business tool, we lose the benefits of artistic culture for what is being advertised, whether political or financial.

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